I write about monsters and the people who survive them. I spend my days crafting psychological thrillers where broken characters face their worst nightmares. So when I tell you I just devoured Kate Stewart’s Exodus (book two of the Ravenhood Series), you might wonder what the hell happened to me.
Here’s the thing: I’ve been completely enthralled by Cecelia’s romantic chaos, and I’m not even sorry about it.
The Setup (Or How BookTok Made Me Cautious)
I tore through the first book, Flock, in a matter of days. Couldn’t put it down. But then I made the mistake of scrolling through BookTok reviews of Exodus and saw readers literally crying over their phones. Multiple people warned about emotional devastation ahead.
So I did what any reasonable person would do: I slowed down. Because sometimes you need to prepare for heartbreak, even the fictional kind.
What Kate Stewart Gets Right
Stewart knows her audience, and she knows how to play us like instruments. Take this line:
“He wants me to read, with him, in his bed. And what better way to pass a day in stormy weather than curling up with a gorgeous man and getting lost in the words.”
Come on. We all wanted to read in bed with Dominic and spend lazy days in the sun with Sean. She created these moments that feel like the kind of intimacy that makes you forget you’re holding a book.

The character development has been stellar. Stewart doesn’t dump exposition on you like a truck. Instead, she parcels out backstory when it matters, when it hits hardest. You learn about these characters the way you’d learn about real people—through their actions, their silences, the way they touch or don’t touch.
And yes, the spice is excellent, especially in book one. But it’s not just heat for heat’s sake. Every intimate moment reveals something about who these people are and what they want from each other.
Why This Horror Writer Needs Romance
You might wonder why someone who writes about trauma and survival would gravitate toward love stories. Here’s what I’ve figured out: both genres are about transformation. Both ask what happens when someone’s carefully constructed world gets turned upside down.
In horror, that transformation often comes through surviving something terrible. In romance, it comes through letting someone past your defenses. Different catalysts, same fundamental question: what happens when you can’t stay the same?
Cecelia isn’t just choosing between men (though that choice is delicious torture). She’s choosing between versions of herself. The woman who plays it safe versus the one who takes risks. The one who follows rules versus the one who writes her own.
Sound familiar? It’s the same choice my thriller protagonists face, just with better lighting and considerably more sexual tension.
The Beautiful Devastation
Stewart understands something crucial about storytelling, something she captures in this quote from the book:
“My favorite books, love songs, movies, the ones that resonated with me, have kept me grieving long after I turned the last page, the notes faded out, or the credits rolled.”
The best stories don’t let you go. They change you. They make you feel things so intensely that you carry the emotional residue for days, weeks, sometimes years afterward. Whether that feeling comes from watching someone survive a monster or watching someone fall in love doesn’t matter. What matters is that it leaves a mark.
The Verdict (And My Dilemma)
Exodus delivered on its promises. The emotional stakes are real, the character growth is satisfying, and yes, those BookTok reviewers were right about the tears. Stewart crafted something beautiful and brutal, the kind of story that makes you understand why people get addicted to romance.
But I’m not sure I’ll continue to book three.
Not because the writing isn’t good (it’s excellent). Not because I don’t care about Cecelia’s journey (I’m invested). But because sometimes you know a story is going to wreck you, and you have to decide if you’re ready for that particular devastation. Maybe that’s the real difference between horror and romance. In horror, you expect the pain. You sign up for it. In romance, the pain sneaks up on you, wrapped in all that hope and beauty and the promise of happily ever after. It hits different when you’re not braced for impact.
For Fellow Genre-Jumpers
If you’re like me—if you usually live in darker fictional territories but find yourself curious about the romance buzz—the Ravenhood series is a good entry point. Stewart respects her characters’ complexity. She doesn’t shy away from difficult emotions or messy situations. She understands that the best love stories aren’t about perfect people finding each other; they’re about damaged people choosing to heal together.
And if you’re worried about the emotional aftermath, well, maybe that’s part of the point. The stories that stay with us are the ones that risk everything, including our carefully guarded hearts.
Just maybe keep some tissues handy. BookTok wasn’t lying about those tears.
Have you made any surprising genre jumps lately? What stories have caught you off guard and refused to let go? I’d love to hear about the books that made you feel too much in the best possible way.








